By Edith Kramer
Edith Kramer is without doubt one of the pioneers within the box of paintings treatment, identified and revered through the global. This choice of papers displays her life of paintings during this box, exhibiting how her strategies and perform have constructed through the years. In those papers she considers a large spectrum of concerns, drawing jointly her techniques on artwork, paintings remedy, society, ethology and scientific perform and putting artwork remedy in its social and historic context. Drawing on examples from her huge own event as an paintings therapist, Kramer illustrates her conviction that making is significant to the perform of paintings treatment, difficult these paintings therapists within the box who use artwork as a toll for extra verbal psychotherapeutic perform.
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Extra resources for Art As Therapy: Collected Papers
In the ideal case, the spectator experiences a kind of minor miracle, as the artist’s creative work makes it possible for the participant to achieve vicariously and with comparatively little effort a degree of sublimation which is ordinarily beyond the individual’s reach. The success of a work of art with an audience depends, therefore, not only on the artist’s creative capacity, but equally on his audience’s capacity and need for sublimation and, with them, on many cultural and social factors.
Sublimation seldom exists in a pure state. We find in every individual a mixture of repressions, reaction formations, neurotic symptoms, and other mechanisms along with genuine sublimation. Our detailed description of the mechanisms of sublimation makes the process appear unduly complicated and difficult to achieve. Granted that human beings are by nature complicated, and that the ego’s task is not an easy one, sublimation seems to be the most natural or rewarding function of the ego. It is the ego’s task to reconcile and integrate conflicting forces with a minimum of displeasure.
No more than others can the art therapist successfully serve two masters. Certainly she must deal with words and with all the complexities of human interaction, but if her interest in the process of psychoanalysis or other primarily verbal therapies comes to outweigh her passion for therapy-through-art she will do well to change her profession. Confusion about the more recently introduced terms, ‘art psychotherapy’ and ‘primary therapist’, likewise seems to stem from an understandable but mistaken wish to be all things therapeutic to all clients.
Art As Therapy: Collected Papers by Edith Kramer